Last weekend, I was able to attend the first ever Storyteller’s
Symposium in our little town. It was a fantastic event, and I was very
impressed by the number of would be artists that appeared. What I really hadn’t
expected was that the storytellers included all facets, including photography,
writing, film, and everything in between.
What I loved was that
even though I’d heard most of the advice already, it didn’t mean that there
wasn’t something new for me to learn. For the majority of the month, I’ve been
working on prewriting and preparing for NaNoWriMo, which means that I’m going
back to the beginning. It’s been a year since I’ve started a first draft, and I
feel like I’m relearning and revising how I start out a novel.
Probably what makes this ‘novel’ so difficult is that it isn’t
a novel. It’s shaping up to be a series, which means that there’s even more
plot points, even more characters, and even more planning so that the story
arch follows a clear trajectory from start to finish. I’d gotten about two
thirds of the way through the rough outline when I got stuck. I needed a large
and satisfying climax, but I still wasn’t sure who my actual antagonist was. Or
if the two potentials were working together.
During the symposium, I was thinking about this issue, and
there was one lesson that really stood out to me. One of the presenters talked
about the Dramatic Structure, the need to have a clear protagonist and a clear
antagonist, and to have the two confront one another during the climax. He also
mentioned that if there are two protagonists, then they both need to be present
during the conflict.
You’d think that would be obvious, but every single climax I’d
run through hadn’t included one of my characters. She was just as important as
the other, but somehow, I hadn’t thought to make sure she had a clear reason to
be there as well.
Once I figured out that both protagonists needed to be
present, the dynamics changed, and the plot opened up again.
How’s your prewriting going? Ready for November?
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