Where are you from?
How many times have you been asked that? Every time two people meet, it’s a standard
question. When meeting someone, we want
to know where they’re coming from, where they were before.
But after answering that question, how many of you are asked
this:
Where did you come from before that?
This question is incredibly familiar to me. I’m from Colorado, but I don’t look it. Even after telling them where I was born, I
get asked where I’m from before that.
Or I get a puzzled look, and “But where are you FROM?” as
though I didn’t understand the question.
Of course, I understand why.
I have Japanese ancestry that makes people assume I’m oriental. But that’s not the culture I most identify
with. I was raised in Colorado. I even associate more with the Hispanic culture
than the Japanese one.
But again and again, I’m asked the same question.
And when that happened again this week, I began to think
about what this question could really mean.
Do we as writers ask our characters where they’re from? I’ve heard advice to “interview” our
characters, asking them what their likes and dislikes are. I’ve read some amazing interview questions
where the character is probed – even down to their favorite ice cream flavor.
I think we can learn everything about our characters by
asking this one simple – but very loaded – question.
If I know where a character comes from, I would know the
experiences that molded and changed them.
I would know who, what and where is most important in their lives. I would know exactly how they would react in
any situation, because I know their personality and how they’ve acted in the
past. I’d understand their driving
force.
Right now, I’m struggling with one of my MC’s because she’s
starting to feel like a piece of cardboard.
I have a fantastic beta going through the WIP currently, but I know that
my real work will be in finding out who she is by learning where she is
from. In order to do that I’m writing
character sketches of her life – interactions with family members and
outsiders. In the numerous drafts I’d
written of this WIP since high school, it never occurred to me to investigate this
character further. As I explore her
childhood, learn how she was raised and how she interacted with her brother and
cousin (2 more main characters), I learn more about where I went wrong.
What about you? How
do you learn more about your characters? Do you use interviews? Character sketches? What advice do you have for creating rounded
characters?
I always have a rough background in mind for even minor characters in my writing. If they occur more than once or affect the plot I will write up a character sketch with some background and motivation. Of course most of the time it seems like the characters are living the story so motivations and bio/info is subject to change at any time look. I do try and keep the sketch updated for consistency.
ReplyDeleteThanks for your posts, you pose interesting topics and I never really thought about what I do as a process before.
Thanks Randy! I appreciate your insight. And you're right, the bio should always be subject to change, mostly because writing should never be stagnant.
DeleteJanice Hardy had a post about delving into characters; she recommended the pocket approach. What does your hero carry in his pocket? What does he consider worth carrying around?
ReplyDeleteKnow what, this works better: http://blog.janicehardy.com/2013/08/a-quick-tip-for-getting-to-know-your.html#more
Thanks! That was a great post, and I'm sure that it will help me figure out who my character really is. Thanks for stopping by!
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